The research of young German photographer Daniel Gustav Cramer revolves around natural landscapes, represented by suggestive images possessing a peculiar symbolic poignancy.
The exhibition Trilogy, presented for the first time in its entirety, consists of three series: Woodland, Underwater and Mountain. In every series Cramer explores apparently uncontaminated environments, in which the human element disappears restoring Nature’s primeval power, a force disturbing and fascinating at the same time. The landscapes presented, void of elements allowing a proper geographical identification, are no longer real and recognizable: they become places imbued with an ancestral, powerful force. The result is made even more mysterious due to a purposefully dimmed light, with a predominance of dark areas and sombre nuances, typical of extreme habitats photographed without the help of artificial light.
from 9 december 2006 to 28 january 2007
The research of young German photographer Daniel Gustav Cramer revolves around natural landscapes, represented by suggestive images possessing a peculiar symbolic poignancy.
The exhibition Trilogy, presented for the first time in its entirety, consists of three series: Woodland, Underwater and Mountain. In every series Cramer explores apparently uncontaminated environments, in which the human element disappears restoring Nature’s primeval power, a force disturbing and fascinating at the same time. The landscapes presented, void of elements allowing a proper geographical identification, are no longer real and recognizable: they become places imbued with an ancestral, powerful force. The result is made even more mysterious due to a purposefully dimmed light, with a predominance of dark areas and sombre nuances, typical of extreme habitats photographed without the help of artificial light.