The research of young German photographer Daniel Gustav Cramer revolves around natural landscapes, represented by suggestive images possessing a peculiar symbolic poignancy.
The exhibition Trilogy, presented for the first time in its entirety, consists of three series: Woodland, Underwater and Mountain. In every series Cramer explores apparently uncontaminated environments, in which the human element disappears restoring Nature’s primeval power, a force disturbing and fascinating at the same time. The landscapes presented, void of elements allowing a proper geographical identification, are no longer real and recognizable: they become places imbued with an ancestral, powerful force. The result is made even more mysterious due to a purposefully dimmed light, with a predominance of dark areas and sombre nuances, typical of extreme habitats photographed without the help of artificial light.
The research of young German photographer Daniel Gustav Cramer revolves around natural landscapes, represented by suggestive images possessing a peculiar symbolic poignancy.
The exhibition Trilogy, presented for the first time in its entirety, consists of three series: Woodland, Underwater and Mountain. In every series Cramer explores apparently uncontaminated environments, in which the human element disappears restoring Nature’s primeval power, a force disturbing and fascinating at the same time. The landscapes presented, void of elements allowing a proper geographical identification, are no longer real and recognizable: they become places imbued with an ancestral, powerful force. The result is made even more mysterious due to a purposefully dimmed light, with a predominance of dark areas and sombre nuances, typical of extreme habitats photographed without the help of artificial light.