This work by Kris Ruhs presents itself as a reflection on the dialectic between fulls and empties, between container and contained. The artist breaks up the unity of this dialectic and chooses to listen to the container’s voice, this dimension apart.
The gallery appears as a unitary space. A huge room without windows, the walls painted with a series of rhythmic motifs. A space that is perceived to not meet, in the eye’s journey, any impediments.
Kris Ruhs’ work – on an occasion dedicated to forms that circumscribe space, breaking it, occupying it and relying on the neutrality of the container – wants to remind, bring to mind again the host itself. The environment to be respected and preserved where we can recall the dematerialized and imaginative nature of the container itself.
This work by Kris Ruhs presents itself as a reflection on the dialectic between fulls and empties, between container and contained. The artist breaks up the unity of this dialectic and chooses to listen to the container’s voice, this dimension apart.
The gallery appears as a unitary space. A huge room without windows, the walls painted with a series of rhythmic motifs. A space that is perceived to not meet, in the eye’s journey, any impediments.
Kris Ruhs’ work – on an occasion dedicated to forms that circumscribe space, breaking it, occupying it and relying on the neutrality of the container – wants to remind, bring to mind again the host itself. The environment to be respected and preserved where we can recall the dematerialized and imaginative nature of the container itself.