After twenty-eight years from the historical exhibition and twenty-nine from the beginning of the group, Mrs. Carla Sozzani shows in her gallery pieces and documents of the “last design movement of this century”, defined in this way by Mrs. Sozzani speaking of the origin of this exhibition.
“There are no marketing research, no strategy behind me, my decisions are almost always instinctive…of course I am bored by continuous repetitions and all of us dream a group movement, an ideal to pursue and share…how boring are these stars of a nothing star-system”.
“Memphis” Mrs. Sozzani says “is reliable, it has a really strong mark and gives sensory density, humour, sense of game…I’m bored also by minimal…”
For Mrs. Sozzani her gallery is a passion and the story of Memphis a real story that can be communicated with pleasure without any plans or commercial adventure. Memphis is a good story of the human comedy as perhaps Sottsass would have defined it.
After twenty-eight years from the historical exhibition and twenty-nine from the beginning of the group, Mrs. Carla Sozzani shows in her gallery pieces and documents of the “last design movement of this century”, defined in this way by Mrs. Sozzani speaking of the origin of this exhibition.
“There are no marketing research, no strategy behind me, my decisions are almost always instinctive…of course I am bored by continuous repetitions and all of us dream a group movement, an ideal to pursue and share…how boring are these stars of a nothing star-system”.
“Memphis” Mrs. Sozzani says “is reliable, it has a really strong mark and gives sensory density, humour, sense of game…I’m bored also by minimal…”
For Mrs. Sozzani her gallery is a passion and the story of Memphis a real story that can be communicated with pleasure without any plans or commercial adventure. Memphis is a good story of the human comedy as perhaps Sottsass would have defined it.