The art of Matteo Guarnaccia shows at least three decades of visionary culture and explorations into the fields of drawing, illustration, painting, poetry, essays and musical performance.
The watching field of the artist is truly and all along the entire world: his own going to search the true life all over the world, free-moving, allows him to find a way of expression not vulgar, far from the merchants inquiries and definitely not overburdened by the reviewer’s ideology: his talent and his substantial coherence refusing the common taste, brought him into the international underground Olympo.
His works born from an existential experience of deep and free research, no pretending otherwise than being adequate to the authenticity that everyone can recognize inside oneself.
His unmistakable and self-taught style, born in the Brera of the ‘70s, is crowded of images which conduct to some pre-Columbian calendars, to some maya figures, to the typical Peynet lovers ( but in a psychedelic mood!), to The Garden of Earthly Delights by Hieronymus Bosch: psychedelic, new-paganism, counter-culture, pop-icons, eroticism, nature: it’s frankly no possible to list what feeds his detailed and articulated art.
The imagine mythology of Matteo Guarnaccia has a deep meaning of openness and richness: the ones owned by every human being, existing themselves in a protean and nosey reality.
The art of Matteo Guarnaccia shows at least three decades of visionary culture and explorations into the fields of drawing, illustration, painting, poetry, essays and musical performance.
The watching field of the artist is truly and all along the entire world: his own going to search the true life all over the world, free-moving, allows him to find a way of expression not vulgar, far from the merchants inquiries and definitely not overburdened by the reviewer’s ideology: his talent and his substantial coherence refusing the common taste, brought him into the international underground Olympo.
His works born from an existential experience of deep and free research, no pretending otherwise than being adequate to the authenticity that everyone can recognize inside oneself.
His unmistakable and self-taught style, born in the Brera of the ‘70s, is crowded of images which conduct to some pre-Columbian calendars, to some maya figures, to the typical Peynet lovers ( but in a psychedelic mood!), to The Garden of Earthly Delights by Hieronymus Bosch: psychedelic, new-paganism, counter-culture, pop-icons, eroticism, nature: it’s frankly no possible to list what feeds his detailed and articulated art.
The imagine mythology of Matteo Guarnaccia has a deep meaning of openness and richness: the ones owned by every human being, existing themselves in a protean and nosey reality.